“‘Bird, Jewel, or Flower?’: On the Tokenization of Nineteenth-Century Women’s Poetry,” ELH (forthcoming)
“A ‘Correspondence of Eyes with Eyes’: Edwin Arlington Robinson, Empathy, and Literary Naturalism” CR: The New Centennial Review, vol. 20, no. 3, Winter 2020, pp. 179-205.
“‘In Couples, In Small Companies’: On Robert Duncan and Sentimental Modernism.” Arizona Quarterly: A Journal of American Literature, Culture, & Theory, vol. 76, no. 2, Summer 2020, pp. 87-113.
"'Some Other’s Text': Dan Beachy-Quick, Moby-Dick, and the Poetics of Reading," Leviathan, vol. 21, no. 2, 2019, pp. 83-103.
“‘Light – enabling Light’: Emily Dickinson and the Apparatus of the Poet’s I.” Women’s Studies, vol. 47, no. 3, 2018, pp. 317-332.
“Reformatted / Re-fleshed: Gender, the Internet and New Configurations for Embodiment.” Criterion: A Journal of Literary Criticism: Vol. 7: No. 1 (2014)
Reviews
"Review of Selected Poems of Edith Wharton, edited by Irene Goldman-Price (Scribner 2019)," Edith Wharton Review (forthcoming)
"Review of Thick and Dazzling Darkness: Religious Poetry in a Secular Age by Peter O'Leary. Columbia University Press (2017)." Literature and Belief (2018).
"Review of WoO by Renee Angle. Letter Machine Editions (2016)." Journal of Book of Mormon Studies, Vol. 27 (2018), pp. 226-240
"Review of Ornamental Aesthetics: The Poetry of Attending in Thoreau, Dickinson, & Whitman by Theo Davis. Oxford University Press 2016, 245 pp." The Emily Dickinson International Society Bulletin (Volume 29, Number 2, Fall 2017).
"6,852: Archipelagic Imagination at the Tenth International Melville Conference." Leviathan: A Journal of Melville Studies 18.1 (2016)
Conference presentations
“‘Paralysis / Done Perfecter in Stone’: Dickinson’s Gem-Poetics,” Emily Dickinson International Society Conference, Seville, July 12-14, 2022.
“‘Gems and jewels let them heap’: Melville as a Minor Craftsman,” 13th International Melville Conference, Paris, June 27-30, 2022.
“‘Quartz Contentment’: Crystallizing Bodies in Dickinson’s Poetry,” Society for the Study of American Women Writers, Triennial Conference, Baltimore, November 4-7, 2021.
“Sarah Piatt and the Poetics of Complicity,” C19: The Society of Nineteenth-Century Americanists, Virtual, March 11-13, 2021.
“Textiles, Bleak Intimacy, and Activist Poetry” (Seminar Roundtable) C19: The Society of Nineteenth-Century Americanists, Virtual, March 11-13, 2021.
"Ephemerality and Domestic Realism in Melville’s Weeds and Wildings,” 12th International Melville Conference, Melville's Origins, June 17-20, 2019.
“Bayard Taylor and the American Baroque,” 2018 Annual Meeting for the Western Society of Eighteenth Century Studies, UNLV, February 16-19, 2018
“Rough Standing Ground”: Photography and the Development of Insurgent Landscapes in Clarel,” 11th International Melville Conference, London, June 27-30 2017
“The true blank of the I: Dickinson's poetry of proxy,” 27th Annual Conference of the American Literature Association, San Francisco, California, May 26-29 2016
“'Light – enabling Light': Dickinson and the Apparatus of the Poet’s I,” Emily Dickinson International Society Triennial Conference, Paris, France June 24-26 2016
“Knotted Up in Place: Melville and the American Spatial Subject”, 10th International Melville Conference: Melville in a Global Context, Tokyo, Japan, June 25-29 2015
“'All the World is Elegy': Geotextual Reading and Rival Liturgies in Melville's Clarel”, 9th International Melville Conference: Melville and Whitman in Washington, Washington DC, June 4-7 2013